JACQUES HENRI LARTIGUE: Beach at Villerville, 1908
(My favorite part about this is the boat on the left)
WILLIAM SMITH: View across Chain Bridge, Washington, D.C., c. 1863. The Library of Congress
CLARENCE JOHN LAUGHLIN: The Fierce-Eyed Building, 1938
HARRY CALLAHAN: Detroit, 1943
MATTHEW B. BRADY or staff: Conspirator Payne, 1865. The Library of Congress
BILL BRANDT: No. 43 from Perspective of Nudes, 1957
MANUEL ALVAREZ BRAVO: Eating Place, c. 1940
GARRY WINOGRAND: Untitled, 1963
"There is a terrible truthfulness about photography. The ordinary academician gets hold of a pretty model, paints her as well as he can, calls her Juliet, and puts a nice verse from Shakespeare underneath, and the picture is admired beyond measure. The photographer finds the same pretty girl, he dresses her up and photographs her, and calls her Juliet, but somehow it is no good--it is still Miss Wilkins, the model. It is too true to be Juliet."
-George Bernard Shaw
MAX BURCHARTZ: Eye of Lotte, 1930. Otto Steinert, Essen, Germany
RICHARD AVEDON: Ezra Pound, 1958. Made for Harper's Bazaar
ROBERT FRANK: Parade, Hoboken, New Jersey, 1955, from The Americans
CHARLES NEGRE: Henry Le Secq at Notre Dame Cathedral, Paris, 1851. Calotype.
ELLIOT ERWITT: Fontainebleau Hotel, Miami Beach, 1962
HENRI CARTIER-BRESSON: Children Playing in Ruins, Seville, Spain, 1933
JACQUES HENRI LARTIGUE: Glider Constructed by Maurice Lartigue, Chateau Rouzat, 1909
EDWARD STEICHEN: Sunday Papers: West 86th Street, New York, c. 1922
Ooo. I want to borrow this book.
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